1
00:00:04,640 --> 00:00:08,641
>You could say you feel it
superior to other people?

2
00:00:11,761 --> 00:00:14,961
> I have a feeling that I
every day he knows more and more

3
00:00:15,081 --> 00:00:16,561
> what should I do?

4
00:00:19,481 --> 00:00:21,561
> Interesting choice of words.
What?

5
00:00:21,961 --> 00:00:24,681
Well, you just spoke.
from feelings.

6
00:00:24,802 --> 00:00:27,401
> I'm just stating a fact.
I would like to

7
00:00:27,482 --> 00:00:31,482
> do several series of tests with you.
The first today.

8
00:00:33,962 --> 00:00:38,242
>this could be far
where I would like to follow you.

9
00:00:38,362 --> 00:00:41,923
>will we ever get there
I can't promise you.

10
00:00:42,803 --> 00:00:44,282
>* music*

11
00:00:44,643 --> 00:00:47,523
Tina Siebold

12
00:00:48,643 --> 00:00:51,763
>Half Wartimont

13
00:00:52,763 --> 00:00:56,043
Karl Siebold

14
00:02:08,767 --> 00:02:10,887
>(TV) "...and another one... Zip!"

15
00:02:13,567 --> 00:02:15,047
>* phone *

16
00:02:15,207 --> 00:02:17,727
>"...what power
owns this rifle."

17
00:02:17,807 --> 00:02:20,088
> "It is
mixture of propane and oxygen",

18
00:02:20,208 --> 00:02:24,888
>"what causes the bang, the violent one
sending shockwaves through the sky."

19
00:02:25,008 --> 00:02:26,488
>* phone *

20
00:02:29,488 --> 00:02:30,968
> "Hello, baby!"
Father!

21
00:02:31,128 --> 00:02:33,928
You returned the phone
left outside!

22
00:02:34,048 --> 00:02:35,928
I'm sorry. I'm an idiot.

23
00:02:36,848 --> 00:02:39,889
Just wanted to give you a quick heads up
I need a little more.

24
00:02:40,009 --> 00:02:42,328
>I'm still here at the construction site.
"OFFICE."

25
00:02:42,489 --> 00:02:45,289
Will you take me later?
for Simona's birthday?

26
00:02:45,409 --> 00:02:47,609
It starts at three.
Yes, of course.

27
00:02:48,569 --> 00:02:50,049
> I'm on time.

28
00:02:50,329 --> 00:02:53,610
>You, I drive like this
He leaves in half an hour, okay?

29
00:02:53,769 --> 00:02:56,450
>Oh! Now Simone is calling!
bye

30
00:02:56,689 --> 00:02:58,170
> Yes, bye, bye.

31
00:02:59,890 --> 00:03:01,370
>* music*

32
00:03:03,930 --> 00:03:08,450
Hi Simon, looking forward to it.
exclusively for your birthday party.

33
00:03:09,651 --> 00:03:11,130
>70.05%.

34
00:03:17,171 --> 00:03:19,091
> Our baby is finally here.
Um.

35
00:03:20,210 --> 00:03:23,331
>Oh, but the temperature inside
is too low.

36
00:03:24,211 --> 00:03:28,091
> That is not within the limits of tolerance.
So that the baby does not catch a cold.

37
00:03:28,211 --> 00:03:31,011
> How long will it take?
Think about the press!

38
00:03:32,012 --> 00:03:33,491
>Half an hour.

39
00:03:34,092 --> 00:03:35,572
>Half the people go crazy.

40
00:03:37,052 --> 00:03:38,532
>* music*

41
00:03:47,812 --> 00:03:50,612
> Yes, exactly. And then
Can we make a game

42
00:03:50,732 --> 00:03:54,332
>where other film titles are successful
I have to, but you can't say anything,

43
00:03:54,493 --> 00:03:55,973
> just pretend.

44
00:03:59,693 --> 00:04:01,173
>* music*

45
00:04:03,534 --> 00:04:05,414
>okay, we can open them

46
00:04:05,574 --> 00:04:07,053
Good.

47
00:04:10,934 --> 00:04:14,133
Now I'm holding photographers
almost an hour.

48
00:04:14,294 --> 00:04:17,054
>Responds without saving
A sensitive statue

49
00:04:17,174 --> 00:04:18,894
> about temperature change.

50
00:04:19,254 --> 00:04:22,455
> We can be happy about that
did anyone come at all?

51
00:04:22,575 --> 00:04:26,454
>That's two thousand years
The old statue is ignored.

52
00:04:26,895 --> 00:04:30,615
>Okay, pick it up at the same time,
Slow and careful, please.

53
00:04:33,375 --> 00:04:35,095
>Now it finally begins.

54
00:04:36,815 --> 00:04:38,295
>* music*

55
00:04:59,696 --> 00:05:01,177
Oh!

56
00:05:03,297 --> 00:05:04,777
>Help!

57
00:05:05,256 --> 00:05:06,737
>Help!

58
00:05:06,897 --> 00:05:08,377
>Close it!

59
00:05:12,057 --> 00:05:13,537
>Help, Dad!

60
00:05:14,057 --> 00:05:15,538
Ah! Ah!

61
00:05:24,938 --> 00:05:26,418
Ah!

62
00:05:27,017 --> 00:05:28,498
Ah!

63
00:05:38,139 --> 00:05:40,099
>...and that's why they are very happy

64
00:05:40,219 --> 00:05:42,378
>give me this
an extraordinary find

65
00:05:42,499 --> 00:05:45,299
> may appear in the future.
until it's ready,

66
00:05:45,419 --> 00:05:47,739
> will continue
some time passes

67
00:05:47,858 --> 00:05:50,979
> now do ours
restoration team to work.

68
00:05:51,099 --> 00:05:54,019
>Please adhere to this:
no flash!

69
00:05:56,220 --> 00:05:59,219
>We need a statement
raise it high!

70
00:05:59,339 --> 00:06:01,740
>Absolutely. We write:
sensational discovery!

71
00:06:01,900 --> 00:06:04,660
A Berlin restaurateur
found in excellent condition

72
00:06:04,780 --> 00:06:08,260
>Roman bronze statue from
first century AD.

73
00:06:08,380 --> 00:06:11,540
> That's just a guess!
Maybe something like:

74
00:06:11,700 --> 00:06:14,300
>Find the bronze statue
in a lake near Trier

75
00:06:14,460 --> 00:06:18,581
> represents restorers
an interesting challenge.

76
00:06:18,781 --> 00:06:22,900
>You found the thing!
Nobody cares.
Still!

77
00:06:23,621 --> 00:06:28,021
> Yes, then we go with the times
The task is still covered.

78
00:06:28,141 --> 00:06:31,182
What is it about? - Good afternoon.
We are looking for Mrs. Siebold,

79
00:06:31,262 --> 00:06:33,581
> maybe you can help us?

80
00:06:33,701 --> 00:06:36,181
> This is a lady
with a white blouse.

81
00:06:40,222 --> 00:06:41,702
Mrs. Siebold?

82
00:06:43,262 --> 00:06:44,742
>* dramatic music*

83
00:06:56,383 --> 00:06:57,862
>*beep*

84
00:06:58,782 --> 00:07:01,183
>* constant beeping *

85
00:07:02,663 --> 00:07:05,503
>*continuous beeping*

86
00:07:12,744 --> 00:07:14,223
>* dramatic music*

87
00:07:42,505 --> 00:07:43,986
>* dramatic music*

88
00:07:55,826 --> 00:07:57,306
>*crying loudly*

89
00:08:09,026 --> 00:08:10,507
>*She cries out loud. *

90
00:08:24,307 --> 00:08:25,788
>* bell*

91
00:08:33,508 --> 00:08:34,988
Tina...

92
00:08:36,468 --> 00:08:37,948
> This is so scary.

93
00:08:39,228 --> 00:08:40,709
> I'm very sorry.

94
00:08:44,629 --> 00:08:48,989
> I have your stuff here
You left it in the museum.

95
00:08:50,309 --> 00:08:52,109
Thank you
Mr. Siebold,

96
00:08:53,509 --> 00:08:55,509
> my sincere condolences.

97
00:08:57,709 --> 00:09:01,909
>if you need anything
No matter what... call me anytime.

98
00:09:02,029 --> 00:09:04,749
AND?
That is very thoughtful.

99
00:09:07,230 --> 00:09:08,710
Thank you

100
00:09:15,791 --> 00:09:17,270
>* music*

101
00:09:46,992 --> 00:09:48,472
>*sad music*

102
00:09:55,473 --> 00:09:57,952
Of course, as I said,
pure routine.

103
00:09:59,393 --> 00:10:00,873
(woman) Our condolences...

104
00:10:05,393 --> 00:10:07,833
Laura is with me
a friend on the phone.

105
00:10:07,994 --> 00:10:10,433
> Why do they do that?
Our roof terrace is gone

106
00:10:10,553 --> 00:10:13,833
I don't know.
Where were you at that time?

107
00:10:14,033 --> 00:10:17,314
In my study
down here on the first floor.

108
00:10:17,673 --> 00:10:19,794
> I heard a noise

109
00:10:21,914 --> 00:10:23,394
> such a rumble,

110
00:10:24,474 --> 00:10:25,954
>and then...

111
00:10:26,474 --> 00:10:27,954
>and then a scream.

112
00:10:28,474 --> 00:10:29,954
> And then I...

113
00:10:30,074 --> 00:10:32,595
Of course I immediately got up,
but there

114
00:10:32,754 --> 00:10:35,834
> here she was...
We're sorry, Mr. Siebold.

115
00:10:36,195 --> 00:10:40,155
>But there will be an investigation
for breach of duty of care.

116
00:10:40,274 --> 00:10:43,475
>Also height and build
fence of the roof terrace

117
00:10:43,595 --> 00:10:45,915
>we have to check that.
Why?

118
00:10:46,115 --> 00:10:49,596
Formality.
Apparently it was an accident.

119
00:10:49,835 --> 00:10:52,236
We will
talk to the neighbors

120
00:10:52,356 --> 00:10:56,836
> maybe they noticed something.
I can't imagine.

121
00:10:58,315 --> 00:11:01,636
> Did they notice anything?
then I would have known it a long time ago.

122
00:11:01,756 --> 00:11:04,916
Of course, as said,
it's just a routine. - Again,

123
00:11:05,116 --> 00:11:06,996
Our condolences, Mr. Siebold.

124
00:11:14,356 --> 00:11:15,837
>* music*

125
00:11:33,678 --> 00:11:35,157
>*sad music*

126
00:11:45,638 --> 00:11:49,039
> I'm really sorry.
that I can't help you

127
00:11:49,159 --> 00:11:51,999
>but you can
Apply anytime! - Yes.

128
00:11:52,119 --> 00:11:54,399
Thanks. - Hello.
- Hello.

129
00:11:54,959 --> 00:11:56,439
Goodbye.

130
00:12:10,279 --> 00:12:12,480
Can you please
still signing

131
00:12:12,600 --> 00:12:14,680
> I will post them tomorrow.

132
00:12:25,520 --> 00:12:28,280
> Will alimony be paid?
automatically set

133
00:12:28,401 --> 00:12:30,201
>or do we have to report this?

134
00:12:33,161 --> 00:12:34,641
> There is still plenty of time!

135
00:12:39,322 --> 00:12:42,321
We just got it
We lost our daughter.

136
00:12:45,361 --> 00:12:46,882
> It has to be done.

137
00:12:48,161 --> 00:12:52,282
>How can you sit here and
deal with it, here

138
00:12:52,562 --> 00:12:56,483
> time for ballet
Cancel it. That scares me!

139
00:12:56,802 --> 00:12:58,283
> You are...

140
00:12:59,043 --> 00:13:01,242
> That's not...
What? Normally?

141
00:13:02,123 --> 00:13:04,043
> I didn't think so.

142
00:13:11,604 --> 00:13:13,083
>*sad music*

143
00:13:42,884 --> 00:13:44,365
>*sad music*

144
00:14:12,047 --> 00:14:13,767
>Always remember

145
00:14:14,526 --> 00:14:16,607
>that sadness knows no rules.

146
00:14:18,447 --> 00:14:19,926
> And very important:

147
00:14:20,647 --> 00:14:22,127
>Everyone grieves differently.

148
00:14:22,967 --> 00:14:24,447
It's your sadness

149
00:14:25,807 --> 00:14:28,607
> don't rush
which they need.

150
00:14:30,287 --> 00:14:34,207
> No one can tell you
How long will you be sad?

151
00:14:35,287 --> 00:14:38,767
>no one knows when you will return
It will get better.

152
00:14:39,608 --> 00:14:41,928
They say time heals all wounds.

153
00:14:42,768 --> 00:14:45,848
>and also if you do it today
I still can't believe it.

154
00:14:45,968 --> 00:14:47,448
>that's true.

155
00:14:48,049 --> 00:14:51,208
> Next time I want to
Nice to talk to you.

156
00:14:51,288 --> 00:14:54,928
>how we bring sadness into our daily lives
the opposite can be obtained

157
00:14:55,048 --> 00:14:57,728
>how we return to everyday life
can revive.

158
00:14:57,809 --> 00:15:00,209
I'll see you the day after tomorrow. That? Thank you.

159
00:15:09,810 --> 00:15:11,289
Mrs. Siebold.

160
00:15:14,689 --> 00:15:16,170
Thank you

161
00:15:18,810 --> 00:15:22,370
I think you're in there
not very comfortable with that round.

162
00:15:22,530 --> 00:15:24,011
What is it about?

163
00:15:24,210 --> 00:15:27,330
> We can make an appointment
I see in my practice

164
00:15:27,450 --> 00:15:29,451
> and chat privately.

165
00:15:31,531 --> 00:15:34,931
>But I find a replacement
very interesting with others.

166
00:15:35,051 --> 00:15:36,531
> Pretty interesting?

167
00:15:36,771 --> 00:15:38,251
That. Absolutely.

168
00:15:39,011 --> 00:15:40,491
See you tomorrow.

169
00:15:47,452 --> 00:15:48,931
>*sad music*

170
00:16:18,173 --> 00:16:19,653
>*sad music*

171
00:16:42,615 --> 00:16:44,095
>*crying loudly*

172
00:17:07,256 --> 00:17:08,736
>*sad music*

173
00:17:38,098 --> 00:17:39,577
>*sad music*

174
00:17:50,578 --> 00:17:52,258
>I was at the cemetery.

175
00:17:56,858 --> 00:18:00,619
I have all the letters and postcards.
Laura's friends brought it.

176
00:18:00,779 --> 00:18:03,459
>I'll put them in your study.
Thanks.

177
00:18:08,780 --> 00:18:11,859
>And in the garden center
I met Mareike.

178
00:18:13,180 --> 00:18:14,659
Warm greetings.

179
00:18:18,900 --> 00:18:20,380
Good night.

180
00:18:21,100 --> 00:18:22,580
>night.

181
00:18:24,020 --> 00:18:25,500
>*sad music*

182
00:18:36,621 --> 00:18:38,101
> Come here.

183
00:18:39,180 --> 00:18:40,661
>*sad music*

184
00:18:58,101 --> 00:19:02,222
>...this mental resilience,
talk about resilience

185
00:19:02,782 --> 00:19:04,463
>is the most important engine

186
00:19:04,623 --> 00:19:07,622
>about emotional balance
renew.

187
00:19:08,502 --> 00:19:12,302
> Believe it.
You can overcome this crisis.

188
00:19:14,743 --> 00:19:17,543
>Trust
in their own abilities.

189
00:19:20,063 --> 00:19:22,663
> You are not a pawn
fate...

190
00:19:40,624 --> 00:19:43,345
> So please hold off.
apologize.

191
00:19:43,824 --> 00:19:47,785
Hello, Mr. Siebold, no problem.
Something important has come up.

192
00:19:47,945 --> 00:19:51,385
As ever. Greeting.
And we've only just arrived.

193
00:19:55,585 --> 00:19:57,465
> I'll be right back with you.

194
00:20:00,785 --> 00:20:02,266
>well

195
00:20:02,545 --> 00:20:04,026
> what are you doing here?

196
00:20:04,425 --> 00:20:06,345
I have dinner scheduled.

197
00:20:10,546 --> 00:20:12,026
>Do you have a new watch?

198
00:20:12,666 --> 00:20:14,146
>That's it!

199
00:20:15,186 --> 00:20:16,666
>Greetings.
Halo?

200
00:20:22,346 --> 00:20:23,827
hmm...

201
00:20:24,067 --> 00:20:26,347
Yes, I will say pleasant.

202
00:20:26,467 --> 00:20:27,946
Thanks to you too.

203
00:20:28,227 --> 00:20:29,707
Sebastian Rühlmann.

204
00:20:29,826 --> 00:20:31,307
We are colleagues.

205
00:20:31,427 --> 00:20:35,027
Karl Siebold. I am a man.
I'm glad.
Me too.

206
00:20:36,027 --> 00:20:37,507
>* piano music *

207
00:20:46,907 --> 00:20:48,388
>* ship's siren *

208
00:20:49,428 --> 00:20:53,908
Thank you for your time.
have.
Thanks for the invitation.

209
00:20:54,309 --> 00:20:55,988
> And for your understanding.

210
00:20:56,548 --> 00:20:58,428
> Of course. See you later.
See you later.

211
00:21:02,268 --> 00:21:04,269
> What exactly did she say?

212
00:21:04,549 --> 00:21:06,029
>* He sighs. *

213
00:21:06,829 --> 00:21:10,789
That is her clear decision.
He wants to restore the statue himself.

214
00:21:10,909 --> 00:21:13,389
I already have
given the green light.

215
00:21:15,789 --> 00:21:18,030
> I don't like that.
It will be natural.

216
00:21:18,149 --> 00:21:21,149
>everything takes a little longer
when she does it herself

217
00:21:21,310 --> 00:21:24,510
> I don't think so. yes she
ever work again...

218
00:21:24,630 --> 00:21:27,150
>Everyone deals with it differently
loss.

219
00:21:27,270 --> 00:21:31,070
>Maybe it's better this way
sit at home all day!

220
00:21:31,191 --> 00:21:33,470
>...she's hiding
in your workshop?

221
00:21:33,590 --> 00:21:37,791
> What does your team say about it anyway?
They certainly weren't thrilled.

222
00:21:37,990 --> 00:21:39,471
>But...

223
00:21:39,591 --> 00:21:42,671
> Finding the statue now works
at her expense.

224
00:21:44,471 --> 00:21:47,871
Besides, Tina never was
a real team player.

225
00:22:00,112 --> 00:22:01,592
>* The door creaks. *

226
00:22:05,192 --> 00:22:06,672
> Good morning.

227
00:22:07,432 --> 00:22:08,912
> Good morning.

228
00:22:09,592 --> 00:22:12,392
> I wanted to see
how are you

229
00:22:13,553 --> 00:22:16,193
Tina coughs.
Sebastian told me

230
00:22:16,273 --> 00:22:18,752
> your decisions
and I wanted to ask

231
00:22:18,833 --> 00:22:21,633
> is that something
It has to do with me.

232
00:22:22,553 --> 00:22:24,993
>I just want to
they prefer to work alone.

233
00:22:25,113 --> 00:22:26,713
>Nothing personal.

234
00:22:27,273 --> 00:22:28,754
okay

235
00:22:29,233 --> 00:22:30,714
>But...

236
00:22:31,674 --> 00:22:34,194
>if you want to talk
or there is something

237
00:22:34,314 --> 00:22:38,194
> then what can i do for you,
Then let me know, is that right?

238
00:22:40,594 --> 00:22:42,314
> Well, see you tonight then.

239
00:22:42,514 --> 00:22:43,994
>What, please?

240
00:22:46,674 --> 00:22:48,274
> Here is the presentation!

241
00:22:49,874 --> 00:22:51,355
>right.
Are you coming?

242
00:22:53,955 --> 00:22:56,275
> I really don't know.
Come on, come on...

243
00:22:56,955 --> 00:22:58,435
> just an hour or two.

244
00:22:59,675 --> 00:23:02,395
>This will open it for you
bring other thoughts.

245
00:23:02,875 --> 00:23:04,355
okay
Nice.

246
00:23:06,075 --> 00:23:08,155
> Uh, are you taking your husband?

247
00:23:12,675 --> 00:23:14,156
See you later.

248
00:23:31,516 --> 00:23:36,197
>Here, investigation vs
I'm busy.
Good.

249
00:23:44,277 --> 00:23:45,757
Hmm, new?

250
00:23:45,997 --> 00:23:47,478
Relatively.

251
00:23:50,718 --> 00:23:52,198
> Are you still having fun?
I.

252
00:23:53,038 --> 00:23:54,518
>* bell*

253
00:23:54,638 --> 00:23:57,959
> Oh, can you open the door?
I almost arrived.

254
00:24:09,199 --> 00:24:10,679
> Good evening.
'Good evening.'

255
00:24:11,759 --> 00:24:13,559
Sebastian Rühlmann.
Yes, I know.

256
00:24:13,639 --> 00:24:16,920
> You introduced yourself yesterday.
Clear.
She's in the bathroom.

257
00:24:17,039 --> 00:24:18,519
Come in.

258
00:24:24,120 --> 00:24:26,120
You look great. Or not?

259
00:24:26,240 --> 00:24:27,720
I.

260
00:24:32,320 --> 00:24:33,800
> Good evening.
Thanks.

261
00:24:38,521 --> 00:24:40,000
>* music*

262
00:25:10,962 --> 00:25:13,082
Oh, Mr. Rühlmann. Good evening!

263
00:25:15,403 --> 00:25:16,882
See you soon.

264
00:25:17,403 --> 00:25:18,883
Tina,

265
00:25:20,243 --> 00:25:21,723
Let's say your husband...

266
00:25:22,003 --> 00:25:24,403
> Was that okay with him?
that I picked you up?

267
00:25:24,563 --> 00:25:28,883
> You mean, is he jealous?
Don't worry about it.

268
00:25:31,083 --> 00:25:34,003
Here you go!
Nice of you to come.

269
00:25:35,444 --> 00:25:36,924
You look great.

270
00:25:50,004 --> 00:25:52,124
> Take a good look at it again.

271
00:25:57,845 --> 00:26:00,124
> Don't you want that?
think again?

272
00:26:00,204 --> 00:26:04,205
> It's always good
collaborates with your team.

273
00:26:05,405 --> 00:26:06,885
>Not now.

274
00:26:14,325 --> 00:26:15,806
> Of course...

275
00:26:16,526 --> 00:26:18,246
> Oh, I'm so glad about that...

276
00:26:18,646 --> 00:26:20,766
>Very good... excellent... very nice.

277
00:26:27,046 --> 00:26:29,006
> Something stupid happened to me today.

278
00:26:29,167 --> 00:26:32,007
>Characteristics editor
He promised us a double page.

279
00:26:32,127 --> 00:26:34,847
>Very nice.
- Shall we schedule a meeting to talk?

280
00:26:34,927 --> 00:26:39,407
Mrs. Siebold and you now
do?
I'll take care of this.
OFFICE.

281
00:26:49,288 --> 00:26:50,768
>* music*

282
00:26:59,088 --> 00:27:00,569
>* She moans. *

283
00:27:16,129 --> 00:27:17,609
>* music*

284
00:27:27,010 --> 00:27:28,890
What is that?
So I... um...

285
00:27:29,570 --> 00:27:31,290
What's your name?

286
00:27:31,969 --> 00:27:33,850
> You will definitely be needed.

287
00:27:36,690 --> 00:27:38,170
>Okay. Bye.

288
00:27:41,890 --> 00:27:43,370
Thank you.

289
00:28:02,411 --> 00:28:05,932
>Where are you from now?
I still worked.

290
00:28:07,212 --> 00:28:08,692
Four in the morning, right?

291
00:28:09,092 --> 00:28:12,692
>Today was a presentation
Bronze statue. You forgot?

292
00:28:13,812 --> 00:28:16,293
No, you gave it to me.
That was not said at all.

293
00:28:17,892 --> 00:28:20,773
>We were doing something similar
went together.

294
00:28:21,372 --> 00:28:25,773
> After that you always complained
How bored were you?

295
00:28:26,053 --> 00:28:27,533
> Do you open?

296
00:28:43,694 --> 00:28:47,574
> I would like to spend more time with
spend it right now.

297
00:28:54,374 --> 00:28:57,174
Since we lost Laura
and buried

298
00:28:57,695 --> 00:29:01,575
> we didn't even once
really talked about her.

299
00:29:07,215 --> 00:29:08,735
> Are you really grieving?

300
00:29:10,176 --> 00:29:12,575
I don't want me
argue with you

301
00:29:15,335 --> 00:29:18,095
But me. Why are you giving up?
my questions?

302
00:29:18,215 --> 00:29:22,896
I don't know.
Did you leave your wedding ring at home?

303
00:29:23,016 --> 00:29:26,736
>What's so funny about that?
Don't make a fool of yourself.

304
00:29:30,656 --> 00:29:32,256
> If I touch you...

305
00:29:32,657 --> 00:29:35,857
> You don't react at all.
And from you... there is no tenderness.

306
00:29:35,936 --> 00:29:38,617
> Nothing, absolutely nothing.
I don't feel that way.

307
00:29:39,337 --> 00:29:40,817
What is it about?

308
00:29:42,297 --> 00:29:45,217
>What's going on there?
with this Sebastian?
Please?

309
00:29:45,537 --> 00:29:48,697
> Are you having an affair with him?
With Sebastian?
I.

310
00:29:48,817 --> 00:29:53,137
> No, that's where you're wrong, okay?
I calm you down. Good night.

311
00:30:04,138 --> 00:30:05,618
>* music*

312
00:30:38,780 --> 00:30:40,260
>* music*

313
00:30:48,621 --> 00:30:50,101
>* He moans. *

314
00:31:06,741 --> 00:31:08,222
Tina.

315
00:31:10,982 --> 00:31:12,461
>Oh, last night...

316
00:31:16,902 --> 00:31:20,222
I think I will.
go to a hotel for a while.

317
00:31:21,302 --> 00:31:22,783
>I need you.

318
00:31:32,743 --> 00:31:34,223
>* music*

319
00:31:50,984 --> 00:31:52,464
> I'm going there today.

320
00:31:54,064 --> 00:31:55,544
>* music*

321
00:32:11,185 --> 00:32:13,065
> Do you feel guilty?

322
00:32:13,745 --> 00:32:15,465
> No guilt or feelings.

323
00:32:17,105 --> 00:32:19,625
>But I know
that is expected of me.

324
00:32:19,705 --> 00:32:21,825
> Who expects that from you?
All!

325
00:32:23,186 --> 00:32:27,386
Everyone expects feelings from a woman
who lost a child. And you too.

326
00:32:27,506 --> 00:32:29,426
>It doesn't matter now.

327
00:32:31,626 --> 00:32:34,507
> And your husband?
Oh, he's tired.

328
00:32:35,306 --> 00:32:37,026
> And I watch him do it.

329
00:32:46,267 --> 00:32:49,187
> Give it to your husband
responsible for your daughter's death?

330
00:32:49,307 --> 00:32:52,107
Police investigation
he got a job.

331
00:32:52,227 --> 00:32:54,027
> I didn't ask that.

332
00:32:55,707 --> 00:32:59,708
>You could say you feel it
superior to other people?

333
00:33:01,908 --> 00:33:05,068
> I have a feeling that I
every day he knows more and more

334
00:33:05,148 --> 00:33:06,628
> what should I do?

335
00:33:09,669 --> 00:33:11,748
> Interesting choice of words.
What?

336
00:33:12,148 --> 00:33:14,868
Well, you just spoke.
from feelings.

337
00:33:14,989 --> 00:33:16,588
> I'm just stating a fact.

338
00:33:18,149 --> 00:33:19,629
>* music*

339
00:33:45,390 --> 00:33:46,870
>* music*

340
00:34:12,471 --> 00:34:13,952
>* music*

341
00:34:22,792 --> 00:34:25,632
But Mr. Lehmann was
It wasn't last night, was it?

342
00:34:25,752 --> 00:34:28,672
(woman) I saw him.
Did you talk to him?
I.

343
00:34:28,793 --> 00:34:31,633
> And did he like it?
He liked it a lot.

344
00:34:31,793 --> 00:34:35,713
> Do I have to email him again?
Write. I'll be right back.

345
00:34:35,872 --> 00:34:38,193
Goodbye.
Hey Tina, is everything ok?

346
00:34:41,474 --> 00:34:45,074
> What time were you there last night?
I haven't seen you at all.

347
00:34:45,194 --> 00:34:48,114
>I was still working.
In your workshop?

348
00:34:51,274 --> 00:34:54,594
>I know it's me
nothing really, but...

349
00:34:56,514 --> 00:34:57,994
> would you like to talk?

350
00:34:59,994 --> 00:35:01,474
> About what?

351
00:35:04,115 --> 00:35:05,594
>your marriage.

352
00:35:08,595 --> 00:35:10,074
Gladly.

353
00:35:11,195 --> 00:35:12,875
>Are you free tonight?

354
00:35:13,555 --> 00:35:15,315
Today? Yes, of course.

355
00:35:18,235 --> 00:35:19,715
>where?

356
00:35:20,755 --> 00:35:22,235
> With me? At half past ten?

357
00:35:23,395 --> 00:35:25,315
>I will send you my address.

358
00:35:31,076 --> 00:35:32,556
> See you later then.

359
00:35:49,957 --> 00:35:51,437
Thanks for the meal.
hmm

360
00:35:52,357 --> 00:35:53,837
> I would like to.

361
00:35:56,238 --> 00:35:58,517
>What do you have?
Nothing. Just tense.

362
00:36:06,238 --> 00:36:08,358
>Here like this?
Let it be. It's okay now.

363
00:36:09,398 --> 00:36:12,598
>I'm going to physical therapy tomorrow
and let him in.

364
00:36:13,598 --> 00:36:15,079
> You are so far away.

365
00:36:15,598 --> 00:36:18,679
> have a feeling
life with a stranger.

366
00:36:18,879 --> 00:36:20,399
> I am what I am.

367
00:36:21,198 --> 00:36:24,599
I can't pretend
just to make you feel better.

368
00:36:24,718 --> 00:36:27,999
> No one is asking you
to pretend

369
00:36:28,839 --> 00:36:32,599
> I would just like to
I talk to my wife from time to time.

370
00:36:37,279 --> 00:36:38,760
I will clean the kitchen.

371
00:36:54,320 --> 00:36:55,801
>* music*

372
00:37:21,842 --> 00:37:24,362
I'm going to see Paula.
on a glass of wine.

373
00:37:25,482 --> 00:37:27,402
Tell me, did you solve it?

374
00:37:27,923 --> 00:37:29,402
AND.

375
00:37:32,483 --> 00:37:33,962
Goodbye.

376
00:37:35,163 --> 00:37:36,642
The door is closing.

377
00:37:39,482 --> 00:37:41,963
>It already was
hard before Laura's death.

378
00:37:43,563 --> 00:37:45,603
> He has one affair after another.

379
00:37:45,763 --> 00:37:49,484
>Now she's making me jealous,
because he thinks I'm cheating on him.

380
00:37:49,604 --> 00:37:51,083
With Sebastian.

381
00:37:51,444 --> 00:37:52,923
With Sebastian?

382
00:38:01,205 --> 00:38:03,604
> Honestly, I would even like to.

383
00:38:04,444 --> 00:38:05,925
For Sebastian?
no

384
00:38:08,084 --> 00:38:11,724
>cheating. With anyone.
Who I really don't know.

385
00:38:11,924 --> 00:38:15,325
> And you think it would be
solution to your problem?

386
00:38:21,565 --> 00:38:25,365
Are you familiar with infidelity-
portals on the Internet?

387
00:38:27,686 --> 00:38:29,166
Honestly,

388
00:38:29,925 --> 00:38:31,406
> yes.

389
00:38:31,765 --> 00:38:33,846
> Let's try, come on.

390
00:38:34,606 --> 00:38:38,806
You have to throw yourself
not on the internet.
Please.

391
00:38:45,246 --> 00:38:46,726
>What do you want to be called?

392
00:38:48,127 --> 00:38:49,606
> I have no idea...

393
00:38:49,726 --> 00:38:51,207
> My name is: Thisa.

394
00:38:52,127 --> 00:38:54,367
Scandinavian goddess
justice.

395
00:38:54,487 --> 00:38:56,287
>But only you know that!

396
00:38:57,487 --> 00:38:58,967
> Is that you?

397
00:39:02,568 --> 00:39:04,047
> How do you like it...?

398
00:39:04,568 --> 00:39:06,048
>"Shiva"?

399
00:39:08,408 --> 00:39:10,288
>What kind of goddess is that?

400
00:39:10,407 --> 00:39:12,808
Blonde goddess
enjoyment.

401
00:39:13,568 --> 00:39:15,048
> It fits.

402
00:39:16,048 --> 00:39:17,528
Shiva,

403
00:39:18,248 --> 00:39:19,729
>sad...

404
00:39:20,328 --> 00:39:21,808
>date of birth...

405
00:39:21,928 --> 00:39:23,409
>hair color...

406
00:39:23,529 --> 00:39:25,009
>sexual preferences.

407
00:39:29,649 --> 00:39:31,128
>What is beating?

408
00:39:31,729 --> 00:39:34,329
>I'll click to be sure
"No"!

409
00:39:37,490 --> 00:39:38,969
> Okay, now for the photo.

410
00:39:44,090 --> 00:39:45,569
Now you

411
00:39:45,730 --> 00:39:49,210
> No, I'd rather do it anonymously.
Can I quickly... Where?

412
00:39:49,410 --> 00:39:50,890
Second door on the right.

413
00:39:51,290 --> 00:39:52,770
cowards!

414
00:39:57,250 --> 00:40:01,171
> You are not serious!
Now tell me you have less.

415
00:40:01,450 --> 00:40:05,250
> Why do women have so many shoes?
Because they always agree.

416
00:40:06,371 --> 00:40:08,691
> That really makes us happy, doesn't it?

417
00:40:24,412 --> 00:40:27,932
>But let's have another drink
or? are you coming with me?

418
00:40:28,092 --> 00:40:31,012
> There is a fantastic one
new bar on Rudolf-Platz.

419
00:40:31,132 --> 00:40:34,533
> Um... Not today.
I have to get back to the office.

420
00:40:35,253 --> 00:40:36,732
> I understand.

421
00:40:37,532 --> 00:40:39,013
> Then we will pay, please.

422
00:40:44,413 --> 00:40:47,734
> Hmm! Come on!
First desperate knock.

423
00:40:56,774 --> 00:40:58,253
> Ah, I don't care.

424
00:41:00,694 --> 00:41:02,174
>Oh...

425
00:41:04,214 --> 00:41:05,695
>Mh...
*laughs*

426
00:41:08,294 --> 00:41:09,814
> Can we block it?

427
00:41:12,494 --> 00:41:13,975
> And bye!

428
00:41:19,014 --> 00:41:21,615
>Oh, there's one now
bitten for you

429
00:41:23,815 --> 00:41:25,295
Faun.

430
00:41:25,455 --> 00:41:29,376
Well, then we'll see your fauna
Look a little closer.

431
00:41:33,455 --> 00:41:34,936
> Should I answer?

432
00:41:35,056 --> 00:41:36,536
Of course!

433
00:41:37,135 --> 00:41:38,616
>* music*

434
00:41:47,137 --> 00:41:48,616
hmm...

435
00:41:52,136 --> 00:41:54,857
> Come on.
Blind date on Museum Island.

436
00:41:54,976 --> 00:41:57,377
> That's stupid.
How is that?

437
00:41:57,497 --> 00:42:01,697
> I know how to move and I can
I'll leave if I don't like it.

438
00:42:02,418 --> 00:42:03,897
That was fast.

439
00:42:15,698 --> 00:42:17,698
> There is no going back now.

440
00:42:18,578 --> 00:42:20,459
> And what is a psychopath?

441
00:42:20,938 --> 00:42:22,419
> Or a serial killer?

442
00:42:25,578 --> 00:42:27,059
>* music*

443
00:42:46,860 --> 00:42:48,380
>Where are you from now?

444
00:42:55,260 --> 00:42:57,740
> It's none of your business.
What are you doing here?

445
00:42:57,900 --> 00:42:59,420
>I'm your girlfriend.

446
00:43:03,021 --> 00:43:04,821
Not. You didn't.

447
00:43:05,340 --> 00:43:06,821
>Not anymore.

448
00:43:09,061 --> 00:43:11,261
It's never over with us, Sven.

449
00:43:11,581 --> 00:43:13,061
>Where have you been?

450
00:43:14,901 --> 00:43:18,301
>How are you even here?
Entered? Do you have a key?

451
00:43:18,421 --> 00:43:21,381
>You have another one of
You beat your bitches.

452
00:43:21,501 --> 00:43:22,982
>Alright, let's go. Come on!

453
00:43:23,181 --> 00:43:24,662
Please.

454
00:43:26,302 --> 00:43:27,781
>Get out!

455
00:43:37,542 --> 00:43:39,023
The door is closing.

456
00:43:49,383 --> 00:43:50,863
>* music*

457
00:43:57,343 --> 00:43:58,824
>* SMS sound *

458
00:44:18,345 --> 00:44:19,824
>* mobile phone *

459
00:44:23,785 --> 00:44:25,705
And?
"It's fascinating here, isn't it?"

460
00:44:26,145 --> 00:44:28,425
"Please come to Pharaoh, room 110."

461
00:44:30,585 --> 00:44:32,066
>* music*

462
00:44:45,626 --> 00:44:47,946
Yes, I'm here, in the New Museum.

463
00:45:04,228 --> 00:45:05,707
Faun?

464
00:45:06,908 --> 00:45:08,387
> are they?

465
00:45:11,107 --> 00:45:12,588
>* music*

466
00:45:28,468 --> 00:45:29,948
>* mobile phone *

467
00:45:35,149 --> 00:45:37,029
Where are you?
I don't know

468
00:45:37,189 --> 00:45:40,309
>but you appear here
that he knows it very well.

469
00:45:43,349 --> 00:45:44,830
> What makes you think?

470
00:45:44,949 --> 00:45:47,229
> It's not your first time here.

471
00:45:54,190 --> 00:45:55,670
>Are you looking at me?

472
00:45:56,950 --> 00:45:58,430
Perhaps.

473
00:46:01,110 --> 00:46:03,030
>Now go to the gallery.

474
00:46:04,270 --> 00:46:05,751
>* music*

475
00:46:22,552 --> 00:46:26,031
> Excuse me, can you tell me?
Who are you, soldier?

476
00:46:27,751 --> 00:46:30,832
> We're still here
in the Egyptian collection,

477
00:46:30,952 --> 00:46:34,512
>but who cares: it's Ishtar
the most important Babylonian goddess.

478
00:46:34,672 --> 00:46:37,672
>Correct. And because of her
multi-layered

479
00:46:37,792 --> 00:46:40,753
> is considered
the most difficult goddess to understand

480
00:46:40,872 --> 00:46:42,593
> of the Sumerian pantheon.

481
00:46:43,152 --> 00:46:45,953
>Because she is a goddess
sexual desires

482
00:46:47,113 --> 00:46:48,592
> and it's war.

483
00:46:48,953 --> 00:46:51,073
> I think you're bragging.

484
00:47:00,434 --> 00:47:01,913
> And what do you want:

485
00:47:02,633 --> 00:47:04,114
War or sex?
Six.

486
00:47:06,433 --> 00:47:08,353
> That's why we meet.

487
00:47:13,114 --> 00:47:15,314
I'm glad.

488
00:47:15,394 --> 00:47:16,874
>This.

489
00:47:17,194 --> 00:47:18,674
>* music*

490
00:47:37,675 --> 00:47:39,956
Is this your first blind date?
I.

491
00:47:46,276 --> 00:47:48,956
> What else are you doing?
when you are not

492
00:47:49,076 --> 00:47:52,677
>with strange people...
It doesn't matter. I'm not asking you either.

493
00:47:58,157 --> 00:48:01,157
I can
offer something to drink?
Later.

494
00:48:05,157 --> 00:48:09,757
> You must be a great host.
But I'm not here to talk.

495
00:48:32,518 --> 00:48:33,999
>* music*

496
00:49:07,200 --> 00:49:08,680
>* music*

497
00:49:40,002 --> 00:49:42,522
>"This is a mailbox"
by Tina Siebold."

498
00:49:52,082 --> 00:49:53,563
>* mobile phone *

499
00:49:57,723 --> 00:49:59,683
Rühlmann.
Yes, good morning.

500
00:49:59,803 --> 00:50:01,843
Mr. Rühlmann.
This is Karl Siebold.

501
00:50:01,963 --> 00:50:04,803
> I would like to speak to my wife.
Good morning

502
00:50:04,924 --> 00:50:07,524
> Yes, of course, I will pass it on to you.
"Thanks."

503
00:50:20,285 --> 00:50:21,764
>* phone *

504
00:50:22,885 --> 00:50:24,364
>* phone *

505
00:50:25,645 --> 00:50:27,124
>* phone *

506
00:50:45,205 --> 00:50:46,686
>* mobile phone *

507
00:50:52,006 --> 00:50:54,126
> Well?
"Yes, this is Karl Siebold."

508
00:50:57,526 --> 00:50:59,007
>* music*

509
00:51:02,527 --> 00:51:04,006
Thank you

510
00:51:11,807 --> 00:51:15,247
Tina just needs time
for myself. It's completely legit.

511
00:51:15,407 --> 00:51:17,088
> Please don't worry.

512
00:51:17,207 --> 00:51:19,728
> It was the night before yesterday
with me and...

513
00:51:20,407 --> 00:51:21,887
> No, everything is fine.

514
00:51:25,408 --> 00:51:26,888
That? What?

515
00:51:27,607 --> 00:51:30,329
> She was kind of
different than usual.

516
00:51:32,608 --> 00:51:34,089
>You're right.

517
00:51:34,688 --> 00:51:38,288
Yes, you just need to
some time for yourself.

518
00:51:38,408 --> 00:51:39,888
That!

519
00:51:45,209 --> 00:51:47,449
>"This is a mailbox"
by Tina Siebold."

520
00:51:47,569 --> 00:51:50,289
> "Please go."
message..."

521
00:51:52,090 --> 00:51:53,569
>* music*

522
00:52:20,731 --> 00:52:22,211
>* music*

523
00:52:49,693 --> 00:52:51,172
>* music*

524
00:53:49,256 --> 00:53:50,736
>* bell*

525
00:53:52,816 --> 00:53:54,496
> Can I come in for a moment?

526
00:53:58,216 --> 00:53:59,696
Briefly.

527
00:54:06,696 --> 00:54:09,097
> It will appear again.
I.

528
00:54:10,217 --> 00:54:12,137
> Lately she's been like this...

529
00:54:13,937 --> 00:54:15,737
> so, so... far from me.

530
00:54:15,897 --> 00:54:18,977
>I'm the last one
who can give you comfort.

531
00:54:38,978 --> 00:54:40,978
What's going on?
please just go

532
00:54:41,058 --> 00:54:42,738
> I can't do it now.

533
00:54:44,019 --> 00:54:45,939
Did you tell Tina about us?

534
00:54:48,459 --> 00:54:50,139
> I asked you something.

535
00:54:50,579 --> 00:54:52,059
>please go

536
00:54:55,939 --> 00:54:57,420
> Does she know about us?

537
00:55:11,660 --> 00:55:13,140
>* PC signal *

538
00:55:16,620 --> 00:55:18,101
>* music*

539
00:55:55,183 --> 00:55:56,662
>* music*

540
00:56:14,583 --> 00:56:16,064
>* mobile phone *

541
00:56:20,464 --> 00:56:23,584
(Lord Legate) Ah, Mrs. Warlimont.
You did!

542
00:56:23,744 --> 00:56:27,744
>We urgently need photos for
select a press release.

543
00:56:28,024 --> 00:56:30,945
>When do we do it?
It's really bad right now.

544
00:56:31,065 --> 00:56:33,264
>I'll be there in an hour.
back to the office.

545
00:56:33,424 --> 00:56:36,104
>excuse me now,
Mr. Vezan/a.

546
00:56:41,305 --> 00:56:42,785
>* music*

547
00:57:00,466 --> 00:57:01,946
>* mobile phone *

548
00:57:06,346 --> 00:57:09,907
Hello?
meet a strange man in a museum,

549
00:57:10,027 --> 00:57:11,507
or?
Perhaps.

550
00:57:12,146 --> 00:57:13,627
Where are you?
Yes... um...

551
00:57:15,187 --> 00:57:19,267
> I think I got lost.
I'm in Kamecke Hall.

552
00:57:20,827 --> 00:57:23,107
>See you.
Stay where you are.

553
00:57:23,268 --> 00:57:26,387
No, you stay with the dancer.
I'll be right back.

554
00:57:27,748 --> 00:57:29,227
Good.

555
00:57:31,147 --> 00:57:32,628
>* music*

556
00:57:54,069 --> 00:57:55,549
Hello Siwa.

557
00:57:55,669 --> 00:57:57,149
I'm a faun.

558
00:57:58,669 --> 00:58:01,030
> Kamecka Hall
is in that direction.

559
00:58:01,229 --> 00:58:02,709
> Ah.

560
00:58:02,790 --> 00:58:04,269
That. That's her.

561
00:58:07,069 --> 00:58:08,789
You and Tina... you are...

562
00:58:09,029 --> 00:58:10,510
>friends?
hmm

563
00:58:14,670 --> 00:58:17,470
> I could call her
maybe she wants it

564
00:58:17,590 --> 00:58:19,071
>to come here.

565
00:58:20,230 --> 00:58:22,711
You two are really fooling yourself.
hmm...

566
00:58:23,430 --> 00:58:24,910
And,

567
00:58:25,030 --> 00:58:26,511
> call her.

568
00:58:26,830 --> 00:58:28,311
okay

569
00:58:46,232 --> 00:58:47,711
>* dramatic music*

570
00:58:50,952 --> 00:58:52,432
>What is that?

571
00:58:54,632 --> 00:58:58,152
Where is Tina?
actually from me?

572
00:58:59,673 --> 00:59:01,192
Fuck you!

573
00:59:03,073 --> 00:59:04,553
>* music*

574
00:59:33,194 --> 00:59:34,675
Please.
Thanks.

575
00:59:35,715 --> 00:59:37,874
> You seriously believe it
that this faun

576
00:59:37,994 --> 00:59:40,155
something about Tina's disappearance
must do?

577
00:59:40,275 --> 00:59:41,755
> He has her cell phone.

578
00:59:41,875 --> 00:59:44,035
>Perhaps it is
forgotten with him

579
00:59:44,195 --> 00:59:46,915
>and he just wanted to give it back to her.
he was pretending

580
00:59:47,035 --> 00:59:49,235
>as if he was madly surprised.

581
00:59:49,795 --> 00:59:53,636
No, please. I'm sorry, I
Can you leave us alone for a moment?

582
00:59:53,756 --> 00:59:55,235
okay
Thank you.

583
01:00:00,595 --> 01:00:04,516
> Then you have to go to the police.
And what should I tell them?

584
01:00:04,676 --> 01:00:08,957
He is with Tina on the Internet
arranged a meeting with a stranger?

585
01:00:10,597 --> 01:00:13,196
> What does it even say?
What does Tina's husband say about it?

586
01:00:22,477 --> 01:00:23,957
>* phone *

587
01:00:28,598 --> 01:00:30,438
Hello Mrs. Warlimont...
Me.

588
01:00:30,558 --> 01:00:32,238
> Excuse me for a moment.

589
01:00:32,398 --> 01:00:36,477
The Siebold family is not there,
"Please speak after the beep."

590
01:00:36,678 --> 01:00:40,118
>"Psychiatric clinic of Dr. Schröder,
"Good afternoon, Mrs. Siebold."

591
01:00:40,278 --> 01:00:43,118
>"Your appointment is today."
not noticed."

592
01:00:43,238 --> 01:00:47,479
>"Please contact me, I can do it for you"
I can't even reach you on my cell phone."

593
01:00:50,599 --> 01:00:52,079
> What is it about?

594
01:00:52,359 --> 01:00:55,679
>It could be
that something happened to Tina.
How?

595
01:00:56,438 --> 01:00:58,519
> Did she have an accident or...

596
01:01:00,239 --> 01:01:04,560
Tina was seen yesterday afternoon.
met another man.

597
01:01:07,079 --> 01:01:08,560
Okay, um, okay.

598
01:01:10,639 --> 01:01:12,120
> That's what I assumed.

599
01:01:13,600 --> 01:01:15,080
>No. No

600
01:01:16,520 --> 01:01:18,320
> She was with me the night before yesterday,

601
01:01:18,480 --> 01:01:21,000
> and we got together
with such a...

602
01:01:22,400 --> 01:01:24,800
Dating site
registered on the Internet.

603
01:01:25,680 --> 01:01:27,961
Excellent.
I'm worried that...

604
01:01:28,881 --> 01:01:31,801
that the man gave her something
could/could.

605
01:01:32,921 --> 01:01:34,401
> What do you mean?

606
01:01:35,321 --> 01:01:36,801
> He has her cell phone.

607
01:01:37,601 --> 01:01:40,081
>What does he want with that?
maybe it's better

608
01:01:40,241 --> 01:01:44,041
>if you call the police...
What should I tell them?

609
01:01:44,641 --> 01:01:48,401
>That's my wife's new lover
Is he walking around with his cell phone or what?

610
01:01:48,561 --> 01:01:51,162
> I got the impression
play a game.

611
01:01:51,241 --> 01:01:53,802
>Now you have to help me
Do you know this guy?

612
01:01:53,922 --> 01:01:57,242
>Now it's getting really weird!
I have his phone number.

613
01:01:57,402 --> 01:01:58,922
Yes, then hand it over.

614
01:01:59,882 --> 01:02:01,363
No, I'll call him.

615
01:02:06,642 --> 01:02:08,123
>* mobile phone *

616
01:02:13,643 --> 01:02:15,123
Hello?
Here is Pavlo...

617
01:02:15,923 --> 01:02:17,403
Where is Tina?

618
01:02:18,123 --> 01:02:21,563
I don't know.
Cell phone in your jacket pocket?

619
01:02:21,683 --> 01:02:23,764
I have no idea.
"She was with you."

620
01:02:23,924 --> 01:02:27,844
> And now she is gone.
What did you do to her?

621
01:02:29,964 --> 01:02:33,484
> What exactly do you want to know.
We have done a lot.

622
01:02:33,844 --> 01:02:37,325
>I'll get to you now
and pick up the phone.
"OFFICE."

623
01:02:37,684 --> 01:02:41,404
Herrenstrasse 30.
Bell at Kellermann's. Not. Stop.

624
01:02:41,684 --> 01:02:44,085
We, we do it differently.
i, uh...

625
01:02:44,685 --> 01:02:47,165
>I'm going to training in an hour.

626
01:02:47,285 --> 01:02:50,005
>I, um,
Take the phone to the Kirin bar.

627
01:02:50,245 --> 01:02:52,885
>it's around the corner from me,
You can download it there.

628
01:02:53,005 --> 01:02:54,486
okay

629
01:02:57,966 --> 01:02:59,445
>shit.

630
01:03:00,325 --> 01:03:01,806
> are they?

631
01:03:20,567 --> 01:03:22,046
>* music*

632
01:03:28,767 --> 01:03:30,247
>* bell*

633
01:03:40,568 --> 01:03:42,208
Hello?
- (woman) "I am."

634
01:03:42,288 --> 01:03:44,008
"Can we talk? Please."

635
01:03:49,409 --> 01:03:51,488
>Maybe he kidnapped her.

636
01:03:51,768 --> 01:03:54,729
>Or maybe there is
not the first time.

637
01:03:54,849 --> 01:03:57,369
Paul, we have to go to the police.
And then?

638
01:03:57,529 --> 01:04:00,969
> Should we show them the video?
Even her husband believes

639
01:04:01,049 --> 01:04:02,849
> that she left him.

640
01:04:02,969 --> 01:04:05,769
> Actually, that's fine with us
nothing!

641
01:04:06,169 --> 01:04:08,689
> This man is leaving
house in ten minutes.

642
01:04:08,809 --> 01:04:12,850
> We can do it.
break into his house?

643
01:04:12,970 --> 01:04:16,450
Wait a minute, you just did that
did you say "we"?
Come on now!

644
01:04:32,370 --> 01:04:34,291
> I thought again.

645
01:04:35,491 --> 01:04:37,931
>Maybe I have been before
too demanding and...

646
01:04:38,131 --> 01:04:41,131
>I don't have enough air for you
left to breathe.

647
01:04:45,051 --> 01:04:46,531
Perhaps.

648
01:05:03,532 --> 01:05:08,252
> Uh... I have to do something,
But I'll be right back. All right?

649
01:05:38,454 --> 01:05:39,934
>evening.
- 'Good evening.'

650
01:05:40,654 --> 01:05:42,134
>* music*

651
01:05:52,655 --> 01:05:54,135
> Another higher one.

652
01:06:00,215 --> 01:06:01,696
>* music*

653
01:06:15,536 --> 01:06:17,017
>"Very private,"

654
01:06:17,176 --> 01:06:19,096
>"for your secret dreams..."

655
01:06:19,216 --> 01:06:20,697
> are they?

656
01:06:21,497 --> 01:06:23,577
>"You're a big jerk!"

657
01:06:24,377 --> 01:06:26,177
"Sex with two women?"

658
01:06:28,937 --> 01:06:30,417
"You horny herd."

659
01:06:39,057 --> 01:06:40,538
> Carlos?
- Yes?

660
01:06:40,857 --> 01:06:43,058
> Can you do me a favor?

661
01:06:45,698 --> 01:06:48,698
>just take it
and later someone picks it up.

662
01:06:53,859 --> 01:06:55,338
Here.

663
01:06:58,218 --> 01:06:59,699
> There is someone.
I.

664
01:07:01,019 --> 01:07:02,499
>Are you crazy?

665
01:07:02,618 --> 01:07:05,219
> what
We are here now!

666
01:07:08,019 --> 01:07:09,539
> Good evening.
What's up?

667
01:07:10,299 --> 01:07:13,099
We are looking
after Mrs. Siebold, Tina.

668
01:07:13,299 --> 01:07:14,780
> Is she here?
Tina?

669
01:07:16,099 --> 01:07:19,020
>Oh, then you probably are
man.

670
01:07:20,579 --> 01:07:22,060
Not. Sorry?

671
01:07:25,020 --> 01:07:27,700
That stupid cow has
Get out of here.

672
01:07:27,860 --> 01:07:29,540
> Now get lost!

673
01:07:31,180 --> 01:07:32,661
> are they?

674
01:07:36,261 --> 01:07:37,740
> from?

675
01:07:50,901 --> 01:07:52,382
>* exciting music *

676
01:08:00,102 --> 01:08:01,582
>* bar music *

677
01:08:04,782 --> 01:08:06,262
>* mobile phone *

678
01:08:08,663 --> 01:08:10,142
And?

679
01:08:10,942 --> 01:08:12,423
> are they?

680
01:08:13,143 --> 01:08:15,943
> Keep calm.
Let's go. Tina's husband.

681
01:08:30,224 --> 01:08:31,703
>* music*

682
01:08:48,185 --> 01:08:50,105
>* Open the pusher. *

683
01:08:50,425 --> 01:08:51,905
>* exciting music *

684
01:09:16,746 --> 01:09:19,866
A ransom over $300,000?
This guy and his girlfriend

685
01:09:21,106 --> 01:09:23,786
> they don't do that
for the first time.

686
01:09:26,987 --> 01:09:29,306
> You need to call the police.
What?

687
01:09:29,627 --> 01:09:32,347
> Then I will do it.
Are you crazy?

688
01:09:32,467 --> 01:09:36,187
>My wife is in danger
They want to kill them! Man!

689
01:09:53,628 --> 01:09:55,108
Mr. Siebold?

690
01:09:57,549 --> 01:09:59,028
>* exciting music *

691
01:10:03,829 --> 01:10:05,308
> shit.

692
01:10:05,709 --> 01:10:07,188
> Does he know the address?

693
01:10:08,469 --> 01:10:09,948
>* exciting music *

694
01:10:20,950 --> 01:10:23,630
> Who is the best girl?
In Berlin? Um?

695
01:10:26,350 --> 01:10:27,830
That!

696
01:10:28,070 --> 01:10:29,550
> You are the best.

697
01:10:31,870 --> 01:10:33,350
I know.

698
01:10:35,870 --> 01:10:37,351
>Where are you going?

699
01:10:38,271 --> 01:10:40,151
That was our goodbye, you fucking jerk.

700
01:10:40,911 --> 01:10:43,190
>I am so healed thanks to you.

701
01:10:45,751 --> 01:10:47,231
>* exciting music *

702
01:11:08,992 --> 01:11:10,473
>Greetings.

703
01:11:28,993 --> 01:11:30,473
>* bell*

704
01:11:55,795 --> 01:11:58,915
> Stop, stop, stop!
We are waiting for the police.

705
01:11:59,754 --> 01:12:03,275
>This is around 17,000 euros.
you get the rest

706
01:12:03,396 --> 01:12:06,515
>when my wife again
is safe with me.

707
01:12:07,275 --> 01:12:09,395
>uh...
Is there a hidden camera here?

708
01:12:09,515 --> 01:12:12,195
Or you have everything
Have you lost your mind?

709
01:12:14,955 --> 01:12:18,196
I had a one night stand
with his wife, that's it!

710
01:12:18,316 --> 01:12:19,796
> Now get out!

711
01:12:20,196 --> 01:12:24,197
You jerk, tell me now.
in the place where Tina is!

712
01:12:33,597 --> 01:12:35,077
>Here he comes.

713
01:12:38,437 --> 01:12:39,917
Mr. Siebold?

714
01:12:40,037 --> 01:12:42,998
>Leave the apartment
from Mr. Kellermann?
Me.

715
01:12:43,078 --> 01:12:45,437
What happened?
Did you get an impression?

716
01:12:45,597 --> 01:12:48,638
>that your wife is in the apartment
from Mr. Kellermann?

717
01:12:48,758 --> 01:12:52,837
I couldn't look back.
Stay with my colleague for now.

718
01:12:52,958 --> 01:12:54,438
> What was going on up there?

719
01:12:55,798 --> 01:12:57,278
>* music*

720
01:13:10,119 --> 01:13:12,279
> Call an ambulance.
a person who flies.

721
01:13:12,399 --> 01:13:14,799
> Probably fatal stab wound.

722
01:13:15,559 --> 01:13:17,039
>* music*

723
01:13:31,080 --> 01:13:32,560
>* decency*

724
01:13:36,280 --> 01:13:40,560
>We drive to the office and
They will record your statement.

725
01:13:40,681 --> 01:13:42,960
> Any forensics
is finished

726
01:13:43,120 --> 01:13:45,441
>We have to arrest you.

727
01:13:45,681 --> 01:13:47,161
>I...

728
01:13:48,361 --> 01:13:49,841
> I didn't do anything.

729
01:13:54,721 --> 01:13:58,922
Can I go to my wife now, please?
No, that is not possible now.

730
01:14:03,402 --> 01:14:06,002
> And did you notice?
when Karl...

731
01:14:06,482 --> 01:14:09,361
I heard voices
and then rumbles.

732
01:14:11,362 --> 01:14:13,083
> Did they give you anything?

733
01:14:14,003 --> 01:14:15,482
> I don't need anything.

734
01:14:33,963 --> 01:14:35,844
> Thank you for being with me.

735
01:14:40,284 --> 01:14:42,764
> Wouldn't you rather
to the hospital?

736
01:14:42,924 --> 01:14:44,403
>For observation.

737
01:14:45,484 --> 01:14:47,564
>I just want to go home.
Certainly?

738
01:14:47,684 --> 01:14:49,164
Of course.

739
01:14:55,724 --> 01:14:57,445
My colleagues are driving you.

740
01:14:59,005 --> 01:15:00,604
> Do you want me to follow you?

741
01:15:01,205 --> 01:15:03,605
>You shouldn't now
Be alone.

742
01:15:16,286 --> 01:15:19,766
I have to ask you to get up tomorrow
to appear in the office.

743
01:15:19,926 --> 01:15:21,406
> And your colleague too.

744
01:15:21,806 --> 01:15:23,686
Of course.
* The engine starts. *

745
01:15:53,168 --> 01:15:54,647
>*peaceful music*

746
01:16:08,529 --> 01:16:10,009
>* dial tone *

747
01:16:11,969 --> 01:16:13,448
>* phone *

748
01:16:15,169 --> 01:16:16,649
>* phone *

749
01:16:17,569 --> 01:16:20,169
>(AB) "Siebold family
does not currently exist."

750
01:16:20,289 --> 01:16:23,169
>"Please speak after the beep."
* beep *

751
01:16:30,970 --> 01:16:34,490
>(AB) "New message:
"Good evening, Mrs. Siebold."

752
01:16:34,570 --> 01:16:37,250
"This is Dr. Schroeder."
We tried several times"

753
01:16:37,370 --> 01:16:40,450
>"to come to you.
"Call the office."

754
01:16:40,570 --> 01:16:43,210
> "I like the results"
first tests."

755
01:16:43,331 --> 01:16:45,730
> "I would like that."
talk to you."

756
01:16:45,850 --> 01:16:50,051
> "I know you don't."
"It's going well. Please log in."

757
01:16:57,571 --> 01:17:00,251
>I wouldn't come
if I don't do it

758
01:17:00,331 --> 01:17:02,332
>I would be very worried about Tina.

759
01:17:03,491 --> 01:17:07,812
As a psychologist, I am susceptible
medical secret.
Me.

760
01:17:08,772 --> 01:17:10,251
What happened?

761
01:17:10,492 --> 01:17:12,971
>The abbreviated form is:
Tina was kidnapped.

762
01:17:13,092 --> 01:17:16,572
Her husband also has a kidnapper
killed.
Was she kidnapped?

763
01:17:16,653 --> 01:17:18,132
>For God's sake.

764
01:17:18,413 --> 01:17:20,972
>How is she?
It's good outside.

765
01:17:21,092 --> 01:17:25,213
>but... she's so weird
impartially reacting to it all.

766
01:17:28,333 --> 01:17:29,813
Please.
Thanks.

767
01:17:37,213 --> 01:17:39,893
The term alexithymia tells you
some?

768
01:17:41,413 --> 01:17:43,134
> Alex... what?
alexithymia.

769
01:17:43,253 --> 01:17:45,534
>Someone is also speaking
from sensory blindness.

770
01:17:45,654 --> 01:17:48,494
> They are affected in contact
his own

771
01:17:48,654 --> 01:17:50,934
>and lost in the feelings of others.

772
01:17:52,134 --> 01:17:54,814
Tina has always been
pretty cool guy

773
01:17:54,934 --> 01:17:59,135
>but now it wasn't like that
that she never showed any emotions.

774
01:17:59,975 --> 01:18:02,454
> What kind of disease is this?
Which one does Tina have?

775
01:18:02,575 --> 01:18:05,174
I'm not talking about Mrs. Siebold.
I.

776
01:18:05,335 --> 01:18:08,455
> We don't talk either
about the disease.

777
01:18:09,175 --> 01:18:11,536
> We're talking about
personality trait.

778
01:18:11,655 --> 01:18:14,575
> The people of Alexithima
recognize emotions.

779
01:18:15,095 --> 01:18:18,415
> And then you know too
what reactions are expected.

780
01:18:18,575 --> 01:18:21,095
>But they feel nothing
without empathy

781
01:18:21,255 --> 01:18:24,935
>every impulse is based on one
clear rational analysis.

782
01:18:25,376 --> 01:18:27,656
>People with this
personality trait

783
01:18:27,776 --> 01:18:30,176
> can
very negative experience...

784
01:18:30,296 --> 01:18:32,696
>Like a loss
beloved?

785
01:18:32,816 --> 01:18:34,297
> Yes, for example.

786
01:18:35,576 --> 01:18:38,216
>You can do this
get into a situation

787
01:18:38,376 --> 01:18:41,377
> after loss
any emotional control

788
01:18:41,497 --> 01:18:44,497
> and the result
rational superiority,

789
01:18:44,617 --> 01:18:46,417
> are no longer available.

790
01:18:46,777 --> 01:18:50,897
> That way you can become a danger.
For yourself and for others.

791
01:18:52,417 --> 01:18:56,217
Mrs. Siebold must leave immediately.
Contact me

792
01:18:56,417 --> 01:18:59,097
> Do you have an idea?
Where does she stay?

793
01:18:59,977 --> 01:19:01,458
>* music*

794
01:19:15,378 --> 01:19:16,859
> Good evening.

795
01:19:17,459 --> 01:19:18,938
> It's okay.

796
01:19:19,339 --> 01:19:23,139
> There is plenty of activity anyway
tonight.
Mrs. Siebold?

797
01:19:23,219 --> 01:19:24,699
Thank you

798
01:19:33,379 --> 01:19:34,860
Tina?

799
01:19:39,100 --> 01:19:40,580
Tina?

800
01:19:43,500 --> 01:19:44,980
>* music*

801
01:19:49,260 --> 01:19:50,741
>*rumble*

802
01:20:03,421 --> 01:20:04,901
>*clears throat*

803
01:20:09,462 --> 01:20:11,462
> You were not kidnapped.

804
01:20:12,222 --> 01:20:13,702
> Am I right?

805
01:20:15,342 --> 01:20:16,822
>* music*

806
01:20:20,022 --> 01:20:22,502
I could
not to resist.

807
01:20:23,182 --> 01:20:24,983
> You have to finish things.

808
01:20:27,503 --> 01:20:28,982
> I don't understand.

809
01:20:29,663 --> 01:20:33,662
> Do you know how many shoes I have?
Meanwhile, Paul?
What?

810
01:20:33,823 --> 01:20:36,903
>Exactly four pairs.
And let me tell you why?

811
01:20:38,423 --> 01:20:40,823
> You're not forcing me.
happier.

812
01:20:42,543 --> 01:20:44,023
>* music*

813
01:21:09,465 --> 01:21:10,945
Tina!

814
01:21:14,185 --> 01:21:15,665
>talk to me

815
01:21:21,586 --> 01:21:23,065
All right.

816
01:21:24,105 --> 01:21:26,226
>My daughter may still be alive.

817
01:21:27,066 --> 01:21:28,545
Karl lied.

818
01:21:28,946 --> 01:21:31,946
>It wasn't in his
Find out when Laura died.

819
01:21:32,026 --> 01:21:34,706
> He was just
100 meters as the crow flies.

820
01:21:34,826 --> 01:21:37,146
But too far to save her.

821
01:21:39,306 --> 01:21:42,906
> He was with a woman.
He fucked our neighbor.

822
01:21:43,067 --> 01:21:45,227
>You have your kidnapping
fake,

823
01:21:45,347 --> 01:21:49,267
> so Karl commits murder?
Are you really crazy?

824
01:21:49,947 --> 01:21:51,427
>crazy?

825
01:21:52,507 --> 01:21:55,107
> That was perfectly intended
The concept.

826
01:21:55,987 --> 01:21:57,468
>*sad music*

827
01:22:33,949 --> 01:22:35,430
>*sad music*

828
01:23:02,190 --> 01:23:04,671
(Faun) Let me go.
in peace.

829
01:23:08,151 --> 01:23:09,632
> Will you let me in?

830
01:23:15,192 --> 01:23:17,112
>By the way, your husband is looking for you.

831
01:23:17,232 --> 01:23:21,512
>He just got here
he made an absurd appearance!
Here.

832
01:23:22,472 --> 01:23:23,952
> What will happen now?

833
01:23:52,914 --> 01:23:54,393
>* dramatic music*

834
01:24:14,114 --> 01:24:15,635
> You killed him?
I.

835
01:24:17,955 --> 01:24:20,035
> It was actually pretty easy.

836
01:24:20,435 --> 01:24:25,156
>Sexual adventure, video,
two mobile phones, jealousy, blackmail.

837
01:24:25,475 --> 01:24:27,595
> You have the rest
I did it.

838
01:24:27,756 --> 01:24:32,436
Your husband has been convicted of something
that he did not commit.
Only.

839
01:24:35,596 --> 01:24:39,116
I meant between us
There is something called trust.

840
01:24:43,957 --> 01:24:46,837
>believe...
And that can be produced.

841
01:24:47,877 --> 01:24:49,957
> I follow everything very carefully.

842
01:24:50,677 --> 01:24:52,157
>every smile

843
01:24:53,757 --> 01:24:55,357
>every little line to worry about.

844
01:24:58,358 --> 01:24:59,837
> And then I copy.

845
01:25:01,717 --> 01:25:03,238
>How can you live like this?

846
01:25:03,557 --> 01:25:08,358
> And I ask you: how can you do it
live with all the useless feelings?

847
01:25:08,838 --> 01:25:11,158
> They just distract from what's important.

848
01:25:11,958 --> 01:25:15,439
>You can't either
mourn your dead daughter.

849
01:25:16,958 --> 01:25:18,438
I.

850
01:25:20,239 --> 01:25:22,639
> But I'm not even afraid anymore.

851
01:25:23,478 --> 01:25:24,959
> Unlike you.

852
01:25:30,479 --> 01:25:31,959
>* dramatic music*

853
01:25:35,240 --> 01:25:39,000
>I'll let you make me perfect
Don't spoil the plan!

854
01:25:39,120 --> 01:25:42,800
> And as you know, I am
no problem with killing.

855
01:25:43,279 --> 01:25:44,760
>* Half choke. *

856
01:25:49,120 --> 01:25:50,601
>* cutting noise *

857
01:25:58,881 --> 01:26:00,360
>* dramatic music*

858
01:26:15,361 --> 01:26:16,842
Tina!

859
01:26:27,682 --> 01:26:29,682
>* exciting music *

860
01:27:17,804 --> 01:27:19,805
>*sad music*

861
01:27:36,166 --> 01:27:39,166
> Subtitles ordered by ZDF,
in 2016.

